DJ Weapons: The Coolest New Tracks of the Week
Digging for new tracks is half the fun of DJing—but let’s be honest, it can also feel like work. Between algorithm fatigue and inbox overflow, actually finding stuff that stands out and works in a set takes time. That’s why I’ve put together another roundup of fresh selections I’ve been loving lately. These tracks aren’t just hype bait or playlist filler—they’ve got character, energy, and a point of view. They’re the kind of tunes that earn their spot on a USB stick because they do something when you play them out. Whether it’s sleazy electroclash, glossy hard trance, weird G house, or just an unexpected vocal moment that flips the mood, every track here brings something to the booth. Some are fun and cheeky, others are dark and driving—but all of them feel alive in a mix. If you’re looking to refresh your rotation or spark new ideas for your next set, this batch is a solid place to start. And if you haven’t already, follow the Club-Ready: The Coolest New Dance Music for DJs playlist on Spotify for a steady drip of gems like these.
makemumine - JEV's attempt at a love song – informal., JEV
makemumine - JEV's attempt at a love song by informal. and JEV blends the emotional weight of a ballad with the physical energy of a dancefloor heater. It's driven by a pulsing bass house beat that contrasts beautifully with JEV's vulnerable vocal delivery, creating a tension between euphoria and heartache. There’s a sense of intimacy in the lyrics that somehow doesn’t kill the momentum—instead, it deepens the mood.
This is the kind of track that sneaks up on you mid-set. It's danceable but emotional, and that's a powerful combination for DJs looking to shift the vibe or take the crowd somewhere unexpected. Drop it during a peak set to surprise people, or near the end when emotions are high—it’ll hit either way.
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WORK IT – John Gilliot
WORK IT is another banger from the ever-reliable 240 KM/H, this time teaming up with John Gilliot for a hard bass track that doesn’t let up. It’s fast, heavy, and undeniably bouncy, powered by a relentless kick and a cheeky female vocal sample that keeps it playful. There’s a raw physicality to it that makes you want to stomp along, even as it stays slick and controlled.
This one’s tailor-made for high-intensity moments. It fits right into hard dance, donk, or warehousey bass sets, but it’s also the kind of wildcard that can elevate a tech set if dropped just right. It’s aggressive in the best way—just make sure your USB is ready to go loud.
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Snow Falls in Your Eyes – Aux in Heaven
Snow Falls in Your Eyes by Aux in Heaven is a sleek hard trance track with a soft heart. The Montreal-based artist leans into a retro-trance aesthetic here, channeling the euphoric melancholy of DJ Heartstring with polished production and a sense of cinematic drama. Shimmering pads and fluttering synths give way to a driving rhythm section that feels both nostalgic and new.
This is a great track for DJs who want to lean into emotion without losing the pulse of the room. It works beautifully during sunrise sets, melodic peaks, or any moment when you want to flood the floor with feeling. Emotional trance is back in fashion, and Snow Falls in Your Eyes nails the vibe with taste.
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with u – 2006WR
with u by 2006WR rides the line between dark garage and ethereal R&B, anchored by a thudding drop that hits like a heart skipping a beat. The vocal is ghostly and melodic, floating just above a nimble 2-step rhythm. It's both shadowy and tender, and the production is tight—every element lands exactly where it should.
In a DJ set, this one thrives in transitional moments. It’s moody but danceable, vibey without dragging. For selectors looking to move from grimey UKG into more emotional or ambient territory (or vice versa), with u is an ideal pivot track with real emotional weight.
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Summer 2000 (Fcukers Remix) – TV Girl, George Clanton, Fcukers
The Fcukers Remix of Summer 2000 is pure outsider house energy. TV Girl and George Clanton already lean nostalgic, and Fcukers dials it up even further with vintage piano stabs, dry percussion, and campy spoken-word vocals that feel beamed in from a weirder version of 1987. It’s part house, part synth-pop, and completely strange in the best way.
DJs who love left turns will get a lot of mileage from this one. It’s a perfect track to reset the room with something fun and unexpected—especially in sets that mix house with electroclash, indie sleaze, or blog-era weirdness. This track doesn’t ask to be taken seriously—it dares you not to smile while playing it.
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Itty Bitty (horsegiirL Remix) – Ashnikko, horsegiirL
Itty Bitty gets a total makeover from horsegiirL, turning Ashnikko's brat-pop banger into a warped G House stomper. The remix twists the original’s vocal into something dark and distorted, riding over a chunky bassline and clattering percussion that feels like it was made in a cyberpunk basement. It’s cheeky, dirty, and oddly infectious.
DJs who play genre-blurring sets—especially those bouncing between pop, bass, and techno—will love the flexibility this track offers. It’s danceable and wild, but also weird enough to stand out. Drop it in a set where people think they know what’s coming, and it’ll flip the room.
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LCA – The Dare
LCA by The Dare continues his mission to bring sleazy electroclash back with confidence. With distorted vocal chants, saw-toothed bass stabs, and a tempo that pushes just hard enough, this track is pure early-2000s attitude. Think DFA Records meets Erol Alkan-era remix culture—it’s indie dance with its shirt off.
It’s an easy plug-and-play tool for DJs wanting to inject sass and edge into their set. Slot it in alongside Italo disco, punk-funk, or French touch, and you’ve got a peak-time moment that screams cool without trying too hard. LCA is for DJs who want to party, not posture.
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In My Head – Chris Lake, Ameer Mark
In My Head is a straight-down-the-line dancefloor burner from Chris Lake and Ameer Mark. It’s groovy and muscular, with a rolling bassline and clipped R&B vocal that give it a distinctly modern house feel. The mix is tight and loud—this one hits hard on a big system.
For DJs, this is a peak-time utility track. It’s not flashy, but it works, especially if you’re building momentum or holding a crowd in that sweet spot where everything just grooves. Toss it in when you need a reliable weapon with broad appeal—it’s built to move bodies.
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Fun – Deki Alem
Fun by Deki Alem is minimal but infectious—a tense little track that creeps up with industrial synths and a punkish vocal delivery. It’s dark, sharp, and full of personality. There’s a sense of control in the production, but it never loses its playful sense of danger.
It’s a killer curveball in a set—especially if you’re weaving between techno, alt-rap, or warehousey electro. Fun works best when the crowd’s warmed up and ready for something unexpected. It’s got that “I don’t know what this is, but I love it” energy that gets people turning heads.
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Speed Dating – DJ Sugarush, Jai Piccone, Hotel Rubio
Speed Dating by DJ Sugarush, Jai Piccone, and Hotel Rubio is funky, fun, and full of bounce. It's got a bubbly groove and playful vocal sample that makes it feel like a sunny day compressed into a track. There's a touch of French house to the filter sweeps, and a bassline that refuses to quit.
This one’s perfect for early sets, rooftop parties, or moments where you want to shift the vibe into something light and feel-good. Speed Dating doesn’t take itself too seriously, which makes it a joy to mix in. Every crate needs a few tracks like this—fun, danceable, and full of personality.
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Cover credit: JEV / @jevhouse