Don't Wait Up! Here Are the Coolest New Tracks For DJs
Digging for new tracks is one of the best parts of DJing—but let’s not pretend it’s always easy. Between stale promos, overhyped edits, and algorithm déjà vu, it takes some real effort to find music that actually does something in a set. That’s why I’ve pulled together another batch of new releases that hit different. These aren’t just Beatport fodder or playlist bait—they’re tracks with attitude, bounce, and intent. From glitchy garage to trance-soaked hyperpop, this roundup covers a little bit of everything, but with one unifying thread: every song here can shift the energy of a room. Whether you’re looking to open with a vibe, swerve a peak-time curveball, or reset the dancefloor with a cheeky vocal, there’s something in here for you. And if you’re always on the hunt, don’t forget to follow the Club-Ready: The Coolest New Dance Music for DJs playlist on Spotify—it’s where these discoveries live first.
Bassline Vandal – BIIANCO
BIIANCO comes out swinging with “Bassline Vandal,” a blistering slice of rave-fueled chaos that manages to feel both polished and totally unhinged. Released via Ultra Records, the track pairs acid-tinged synths with a relentlessly funky groove, all driven by BIIANCO’s magnetic presence on the mic. Equal parts rap, punk, and warehouse energy, this one’s built for high-BPM dancefloors where the crowd wants it hard, fast, and theatrical. It’s the kind of track that refuses to behave—exactly what makes it memorable.
“Bassline Vandal” is more than just a song—it’s a statement on how producers can stretch genre rules and still come out with something club-ready. There’s something exhilarating about how raw it is without ever sounding rushed. The low-end punches, the vocal lines snap, and there’s a rebellious joy running through the whole arrangement. If your DJ sets lean toward the hard groove / techno crossover zone, this is a no-brainer.
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Slip & Slide – Alex Chapman, Tommy Genesis
A collaboration that feels as chaotic and confident as a warehouse fashion week afterparty, “Slip & Slide” brings together Alex Chapman and Tommy Genesis for a bass house cut that’s impossible to ignore. The beat slinks along with a rubbery low-end and pitched-up stabs, while Tommy Genesis delivers spoken-word verses that radiate attitude. It’s a track that works on multiple levels—hooky enough for casuals, but with enough bite to slot right into a peak-time club set.
There’s something undeniably fun about this one. Chapman’s pop instincts and Genesis’s underground flair meet in the middle for a sleazy anthem that feels tailored for DJs who love surprise vocal drops and crisp transitions. The extended version makes it especially playable, offering plenty of breathing room for layering. If you’re looking to inject a little mischievous charisma into your next set, this track brings just the right amount of heat.
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Love On Repeat – Crybaby
Crybaby’s “Love On Repeat” is a rave-pop hybrid with serious emotional undertow. Imagine the euphoric sugar rush of hyperpop channeled through a rolling trance bassline—it’s big, bold, and engineered for dancefloor catharsis. The London-based producer taps into that early-hours feeling where everything is blurry, bright, and a little bit unhinged, layering soaring vocals over a hypnotic pulse that never lets up.
This one stands out because it doesn’t just rely on sugar and synths—there’s a real depth to the low-end, and the mix is clean but not sterile. It has that rare ability to feel personal while still slapping in a club, which is no easy feat. Released via HE.SHE.THEY., it fits squarely into a growing scene of tracks that don’t bother choosing between pop and underground—they just do both. A perfect emotional reset button in any hard-edged set.
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On The Beach – FORTELLA, YORK
A nostalgic earworm with its toes in the sand, “On The Beach” by FORTELLA and YORK is a dance-pop anthem that echoes the best of ’90s compilation culture. Built around deep house textures and lush, looping melodies, it calls back to the era of sunset Ibiza sets and Ministry of Sound CDs—but with a modern, streamlined punch. The vocal line is hypnotic and familiar, like a long-lost hook you didn’t know you missed.
It’s the kind of track that feels effortless but lands big. The production balances throwback charm with contemporary muscle, making it equally suited for beach club openings or after-hours comedowns. If you like working retro references into sleek modern sets, this one offers a perfect mood shift—gentle enough to glide into a groove, but sticky enough to keep people humming it later. It’s a crowd-pleaser in the best sense.
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Your Number One – MF QUINN
MF QUINN strikes a deep chord with “Your Number One,” a moody yet club-ready house track that fuses sultry vocals with a thunderous low-end groove. It’s the standout cut on Play Records' Ibiza 2025 compilation, and for good reason—it manages to feel both emotionally intimate and totally floor-focused. The bassline rolls with conviction, while the vocal carries just enough bite to make it memorable without overpowering the groove.
This track reflects MF QUINN’s evolution from bedroom producer to serious contender, following up his 2024 debut EP Bad Side. There’s a strong sense of craft here—classic house nostalgia filtered through a sleek, modern lens. If you like vocal house with emotional depth and DJ-friendly structure, this one's a no-brainer.
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FTRW! – Surusinghe
Surusinghe's “FTRW!” is a bold, percussive workout that dives headfirst into the broken UK techno and bass music crossover. With its rattling grooves and gritty texture, the track feels like it’s constantly shifting gears, pulling from the rhythmic tension of early dubstep, the propulsion of hard drum, and the swagger of club-focused techno. It’s raw, strange, and totally confident—a track that dares you to figure it out mid-mix.
This is the lead single from her upcoming EP i can't remember the name… and it's arguably her most club-destroying release yet. If you’re looking for off-kilter energy that still slaps in the booth, this one’s a weapon. Surusinghe’s sound design is unpredictable but tightly controlled, and the track builds without ever giving in to cliché drops. A perfect tool for adventurous DJs who want to turn the room on its head.
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Hold On – MPH
MPH delivers a pure sugar-rush of UKG euphoria on “Hold On,” a track that lands somewhere between bassline house and 2-step garage. It’s got the bouncy swing and glitchy vocals that fans of Sammy Virji will instantly recognize, but there’s something slicker about MPH’s approach here—less cheeky, more hypnotic. The pitched vocal chops dance between the beat like neon confetti, while the crisp shuffle keeps it driving without ever feeling hectic.
There’s also a level of detail in the production that rewards repeated plays. The breaks are clean, the drops are punchy, and the structure is tailor-made for DJs who want to inject high energy without veering into full-on chaos. Whether you’re opening with some sunny grooves or flipping into UK flavors late in your set, “Hold On” is a dependable slammer that still manages to sound playful and fresh.
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Losing my mind <3 – devin
devin taps into the chaotic charm of internet-born dance music with “Losing my mind <3,” a tightly packed banger that blends hyperpop sparkle with club-ready punch. Clocking in at just over two minutes, it wastes no time getting to the point—glitchy synths, distorted hooks, and a vocal delivery that feels more like a voice note meltdown than a polished topline. It’s unfiltered in the best way, and that energy carries the track.
There’s something immediately captivating about how raw it feels while still being highly playable. It channels that post-PC Music vibe—emotional overload as a genre—but filtered through a more dancefloor-aware lens. Short, hooky, and perfect for TikTok edits or late-night set curveballs, “Losing my mind <3” is a reminder that sometimes the best club weapons are the weird ones.
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Deeper – HASKELL
HASKELL strips it back to the essentials on “Deeper,” a chunky tech house groover released via Nervous Records. The track leans into razor-sharp percussion, a no-frills low-end, and a hypnotic vocal loop that would feel right at home in a dark basement set at peak hour. There’s an unmistakable nod to classic Nervous output in the rhythm and swing, but the overall feel is clean, modern, and deeply playable.
Over the past year, HASKELL has quietly built a reputation through consistent DJ gigs from London to Ibiza and a catalog that favors crisp foundations and unfussy textures. “Deeper” reflects a maturing confidence in his production style—tight, restrained, but still packed with tension. If you’re a DJ hunting for serious groove with zero filler, this one’s got you.
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Oops... – Two Shell
Two Shell are back to their mischief with “Oops...,” a delirious blend of stuttering synths, glitched-out vocals, and electroclash-style bravado. It’s not clear whether the track is a meme, a manifesto, or just a straight-up club banger—and that’s exactly the point. With its chopped-up textures and hyper-digital sheen, it sits somewhere between hyperpop, breakcore, and a club edit that never got a proper release. It’s chaotic in all the right ways.
As usual, nothing about Two Shell is straightforward. Whatever they do, it’s designed to break expectations and confuse the crowd (in the best possible way). “Oops...” is fast, weird, and way too fun to ignore—a perfect track to weaponize mid-set, especially when you want to jolt the room out of autopilot.
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