Superbooth 2025: All the Best New Synths and Gear
Every spring, Berlin’s Superbooth transforms a riverside forest into a gear lover’s dream. It's not just a trade show—it’s a playground for synthheads, modular freaks, boutique makers, and anyone curious about the outer edges of electronic sound. While NAMM casts a wide net, Superbooth goes deep: DIY modules, experimental instruments, analog oddities, and future classics all share the stage here. This post is your running guide to the most exciting releases and standout announcements from Superbooth 2025.
Whether you're into Eurorack modules, hybrid synths, or just weird sonic toys, we'll be updating this post throughout the week with our top picks and key details.
Check back or bookmark this post to get all the scoops!
Last updated May 9 at 11:45 EDT with new details on Vermona drumDING and Make Noise Polymaths.
Disclosure: This post contains affiliate links. As an Amazon Associate, I earn from qualifying purchases.
Vermona drumDING: Analog Drum Synthesis Meets Sampling in a New Workflow
Vermona is shaking up the drum machine landscape at Superbooth 2025 with the introduction of the drumDING, a prototype that merges analog percussion synthesis with sampling capabilities in a way that feels fresh and surprisingly intuitive. Unlike their previous DRM-1 module, which offered multiple analog voices for different percussion sounds, drumDING features just one synth voice—but it’s a highly flexible one, capable of morphing through a wide range of percussive tones. The sound engine includes a continuously variable filter, allowing for deep sculpting and expressive control over pitch, decay, and other parameters. Once a sound is dialed in, you can capture it as a sample and assign it to one of the six sequencer tracks, creating a dynamic, evolving drum kit that’s both analog and digital.
The sequencer takes things further, with modern features like parameter locks, polymeter, and swing, as well as the ability to sequence effects such as pitch, reverse, and decay. Each project can hold up to 16 samples, stored on an SD card, allowing for an ever-changing library of percussive hits. Unlike classic TR-style sequencers, drumDING encourages a more performance-oriented workflow, capturing sounds on the fly and committing them to the sequencer in real time.
More info
Make Noise Polimaths: Maths Gets a Polyphonic Makeover
Make Noise is back at Superbooth 2025 with a bold follow-up to its iconic Maths module—the Polimaths, an eight-channel function generator that expands on the original concept without replacing it. Where the original Maths provided two rise-and-fall function generators, Polimaths ups the ante with eight channels, each capable of generating saw, triangle, and ramp waveforms. It’s the second module in Make Noise’s New Universal Synthesizer System (NUSS), a framework that aims to transform single gestures into multiple, evolving signals. With modes like cycling and round, Polimaths can send trigger signals out sequentially, effectively creating intricate polyphonic sequences or multi-layered modulation patterns.
In a move that hints at polyphonic capabilities, Polimaths can also be chained with additional units, turning it into a 16-channel function generator that could drive multi-oscillator patches or polyphonic synth voices. Make Noise’s Walker teased the potential for more NUSS modules focused on polyphony, suggesting that Polimaths may be the first piece in a larger, more complex system. While pricing hasn’t been announced, the release is slated for late summer 2025, and given the buzz at Superbooth, it’s shaping up to be a must-watch module for those who love to push their Eurorack setups to new creative extremes.
More info
Credit: sonicstate
Novation Bass Station II Swifty Edition: Mo’ Wax Meets Moog Source Vibes
Novation has dropped a fresh limited-edition version of the Bass Station II, this time wrapped in the distinct visual style of Ian “Swifty” Swift, the legendary Mo’ Wax graphic designer. Known for his work with labels like Mo’ Wax and Talkin’ Loud, Swifty’s aesthetic defined the look of ‘90s underground culture—and now it’s giving the Bass Station II a retro makeover that’s part vintage cinema, part acid house flyer. The design immediately brings to mind the bold color scheme of the Moog Source, with its striking blue and yellow accents and a font style that wouldn’t look out of place in a ‘70s sci-fi flick.
This is the second limited-edition Bass Station II, following the Aphex Twin AFX Station released in 2019. Like that edition, the Swifty version isn’t just about the looks; it also packs some new sonic content. Novation has included over 60 fresh patches created by a diverse lineup of artists, including Legowelt, whose gritty techno leads and acid basses are tailor-made for the Bass Station’s aggressive analog sound. Also contributing are Pecq, with experimental alt-pop textures, and Maria Chiara Argirò, bringing jazz-electronic fusion into the mix. With its fresh aesthetic and new sounds, the Swifty Edition makes a strong case for being both a collector’s piece and a workhorse monosynth for studios and stages alike.
More info
Novation Launch Control XL3: The Hybrid DAW Controller Gets a Major Update
Novation has officially pulled the curtain back on the Launch Control XL3, a sleek new DAW controller that bridges the gap between software and hardware setups with style. Announced just in time for Superbooth 2025, the XL3 comes packed with eight faders, 24 rotary encoders, and 16 programmable buttons, all designed to provide hands-on control for DAWs like Ableton Live, FL Studio, and Logic Pro. A newly added OLED display offers real-time visual feedback, making it easier to keep track of parameters without interrupting your workflow. For those who love tactile control, the addition of full-sized MIDI in/out/thru ports makes it a perfect fit for hybrid setups, allowing you to seamlessly integrate outboard synths, drum machines, and effects processors.
Customization is a key focus here, with the XL3 supporting up to 15 custom modes that can be stored and instantly recalled. This makes it a versatile tool for live performers, electronic musicians, and producers who juggle multiple configurations. The new design also features enhanced LED feedback for all encoders and buttons, further aiding in visual navigation during dark studio or stage sessions. With shipping expected to begin within weeks, this one is poised to become a staple in both live and studio environments.
More info
Moog Messenger: Modern Analog Monosynth with a Twist
Moog Music continues to make waves at Superbooth 2025 with the debut of the Moog Messenger, a monosynth that merges classic analog sound with forward-thinking features. Building on the sonic DNA of iconic Moog monosynths like the Minimoog, Grandmother, and Subsequent 37, the Messenger adds some surprising new tricks—like a hybrid wavefolder that pushes the oscillator section beyond standard waveforms. Alongside the usual suspects like pulse, square, and sawtooth, there’s a distinctive “Batman cowl” wave that brings edgy harmonics to the forefront. The oscillator section also features a variable sub wave, frequency modulation, and oscillator sync, creating a sound palette that’s as sharp as it is punchy.
The standout feature, though, is the multimode Ladder filter, a modern take on Moog’s classic lowpass circuit that now includes bandpass and highpass modes. And for those who love their squelch without losing low-end punch, Moog has added resonance bass compensation, a welcome addition that keeps the bass intact even when the filter is screaming. The Messenger also includes two loopable ADSR envelopes, a 64-step sequencer/arpeggiator, and six CV patch points for modular integration. At $899, it’s positioned to compete with some heavy hitters in the monosynth market while still delivering that unmistakable Moog sound. Pre-orders are live now, with shipping expected in early summer 2025.
More info
1010music Bento Synths: Compact and Modular-Friendly
1010music is turning heads at Superbooth 2025 with the debut of the Bento Synths, a new lineup of compact, modular-friendly synth modules aimed at streamlining sound design without compromising depth. The Bento series includes four core modules—VCO, VCF, VCA, and Envelope/LFO—each with a minimalist design that maximizes functionality while keeping patching straightforward. Despite their small size, these modules pack plenty of sonic potential, from fat analog oscillators and resonant filters to dynamic amplitude control and snappy envelopes. Whether you’re building a compact live rig or expanding an existing setup, the Bento Synths promise versatility without the bulk.
One of the standout features is the Bento Envelope/LFO, which integrates two modes: a traditional ADSR envelope and a looping LFO mode with multiple waveform shapes. Meanwhile, the Bento VCO offers analog waveforms with pulse width modulation and sync capabilities, making it surprisingly robust for its size. The modules are designed to be Eurorack-compatible, with CV inputs for modulation and gate control, and the layout encourages hands-on tweaking.
More info
Erica Synths & Hexinverter HexDrums: Mutant Drum DNA Goes Desktop
Erica Synths and Hexinverter Électronique just dropped a bombshell at Superbooth 2025 with the reveal of the HexDrums, a standalone analog drum machine that brings the sound of Hexinverter’s Mutant Drum series into a more accessible, all-in-one package. Featuring 10 sound sources derived from the cult-favorite Eurorack modules, it covers everything from booming kicks and machine-gun snares to crunchy claps and sizzling hi-hats. Erica Synths didn’t stop there—they added their own cymbal samples, a compressor circuit based on the Mutant Glue, and a kick drum-controlled sidechain. With individual outputs for each sound, stereo panning, and a master drive, it’s shaping up to be a heavy-hitter for both studio and live setups.
While the sound design clearly nods to Hexinverter’s iconic modules, the HexDrums also packs a hands-on sequencer with 64 steps, per-step probability, microtiming, and ratcheting—all essential tools for crafting dynamic drum patterns without diving into complex menus. There’s no price tag yet, but with Erica Synths’ reputation for quality builds and Hexinverter’s Mutant Drum legacy, this one is going to make waves. Shipping is set for later this year, so start saving—or clearing space on your desktop—now.
More info
Frap Tools Magnolia: A Polyphonic FM Beast with Taste
Frap Tools makes a bold move this year with the reveal of Magnolia, their first polyphonic analog synthesizer—and it’s already turning heads. This 8-voice FM instrument is fully analog, pairing dual oscillators with per-voice filters, all designed around a Fatar keybed with polyphonic aftertouch. The interface is refreshingly knob-based, with no screens or menus to slow down creative flow. It’s built for players and patchers who want the depth of modular without the sprawl.
Instead of following traditional FM or subtractive templates, Magnolia merges east coast and west coast synthesis into a unified, performance-ready layout. The analog signal path and modulation matrix make it feel both luxurious and experimental. Whether you’re composing lush pads or sculpting raw textures in real time, this is shaping up to be one of Superbooth’s most refined and musically flexible offerings.
More info
Korg Berlin Phase8: Acoustic Synthesis Reaches the Product Stage
After years of teasers and prototypes, Korg Berlin is finally pushing its first official product out the door—the Phase8, an eight-voice acoustic synthesizer that blends analog synthesis with electroacoustic resonators. Announced at Superbooth 2025, the Phase8 takes Korg’s experimental Acoustic Synthesis technology and packs it into a compact form factor that looks somewhere between a Volca and a thumb piano. Each of the eight resonators can be tuned independently, allowing for percussive strikes, melodic sequences, or even hands-on sound manipulation by physically touching the resonators. It’s like a modular synth crossed with a kinetic sculpture, and the result is both visually striking and sonically unique.
Connectivity is on par with modern synth standards, including MIDI in/out, CV in, sync in/out, USB, and a single output, making it a versatile addition to any studio or live setup. Despite being a first-gen release, Phase8 includes advanced features like waveshaping, tremolo, and envelope control, along with a sequencer that allows for polyphonic and polyrhythmic play. While Korg Berlin hasn’t disclosed the price yet, they’re aiming for a Q1 2026 release.
More info
Erica Synths Pikocore XL DIY Kit
Erica Synths comes to Superbooth 25 with a tiny-but-mighty surprise: the Pikocore XL, a lo-fi sample mangler in a pocketable format, now reimagined as a proper DIY kit. Based on the cult Raspberry Pi-powered Pikocore by Infinite Digits, the XL version keeps the raw, glitchy spirit of the original while wrapping it in a sleeker aluminum enclosure. You still get tempo-synced stutter, retrig, and gate effects, plus eight minutes of 8-bit mono sample time—but now there’s a real knob-per-function layout, sync I/O for Pocket Operators, and a full 128-step sequencer. If you're into chaotic beat sequencing and circuitbent energy, this is your new toy.
It’s open-source, affordable, and refreshingly weird—perfect for DIY heads who want a hands-on sound design playground. The Pikocore XL starts shipping this week and will be demoed live at Booth O235, where Erica’s known to draw a crowd. For €160, it’s hard to beat as a quirky groovebox you can build yourself. Expect this one to be a sleeper hit for glitch fans, noise dabblers, and anyone who thinks clean is boring.
More info
Instruo Seashell: Semi-Modular Meets Total Recall
Instruo enters the desktop synth game with the Seashell, a sleek semi-modular analog synthesizer that hides a powerful twist under its familiar layout. On the surface, it’s everything you’d expect from a high-end boutique semi-modular—dual VCOs, sync and cross-mod, CV-controlled wavefolder and filter, LFO, envelope, and a stereo diffusion effect. But it’s the internal digital control engine that sets this apart. With 14-bit resolution and full DAW integration via a dedicated plugin, Seashell brings total recall and software-based patch management to a world that’s usually cable-and-memory reliant.
That plugin does more than store settings—it also acts as a modulation matrix, allowing you to route sources across a 4x4 grid and control every parameter via MIDI or automation. Seashell communicates via USB-C, works as an audio interface, and plays well with macOS, Windows, and Linux systems. It’s a bold hybridization of hands-on analog synthesis and modern workflow optimization. At £649, it’s priced competitively for what it offers, and might just kick off a new wave of digitally-enhanced semi-modulars.
More info
Bastl Instruments Kastle 2 Wave Bard: Pocket-Sized Chaos
Bastl Instruments unveils the Kastle 2 Wave Bard, a quirky, patchable sample player that continues the Kastle lineage of micro-modular mischief. Like its FX Wizard sibling, the Wave Bard fits in the palm of your hand, but it opens up a surprising world of stereo sample mangling. You can load up to eight samples via a browser app and manipulate them with pitch control, reverse playback, filters, effects, and a built-in pattern generator. The whole thing is CV-patchable and super modular-friendly—even if it's not a sampler, but a pure player.
For under €200, it’s a gloriously weird and hands-on approach to experimental sound design. You get pitch quantization, pattern sequencing, scale mapping, and even the ability to run external audio through its filters and effects. The aesthetic and workflow might not be for everyone, but if you like your beats crunchy, your samples broken, and your gear fun-sized, the Kastle 2 Wave Bard is shaping up to be a Superbooth sleeper hit.
More info
PPG 1002: An Analog Classic, Reimagined
PPG Synths brings one of its rarest creations back to life with the new PPG 1002, a faithful recreation of one of the last fully analog synths from the legendary Wolfgang Palm. Developed in collaboration with Cornel Hecht, this modern version updates the original’s dual-oscillator, 4-pole filter architecture with practical upgrades like MIDI and velocity response—but no keyboard. It adds oscillator sync and a new square waveform to oscillator two, which still doubles as a sub-audio source for richer sound design.
Other standout features include modular-style LFO routing, switchable modulation sources, a ring modulator option, and a noise generator that can act as both audio and modulation. The panel layout stays true to the original minimalist design, and the build is driven by a precision low-noise power supply. With only 100 vintage units believed to exist, this reissue feels more like a passion project than a mass-market launch—and at €9,999, it's priced accordingly. Units are built to order, with shipping expected around September 2025.
More info
OXI ONE MKII: Sequencer Gets a Major Upgrade
Oxi Instruments is making waves at Superbooth 2025 with the reveal of the OXI ONE MKII, a substantial leap forward from the original Kickstarter success. Now available for pre-order, the MKII arrives in two versions: the Nostalgia Edition at €879 and the Black Edition at €899. Both models maintain the modular grid design but pack in a host of new features, including more tracks, more memory, and a bigger OLED screen. The workflow gets a major overhaul with more dedicated backlit buttons, a new performance mode, and enhanced generative tools. With up to 64 tracks, 8 independent modulation lanes, and 16 LFOs, Oxi is clearly positioning its flagship sequencer as a serious contender in the crowded field.
Beyond the hardware, the MKII integrates with a new OXI App, allowing for deeper control and user data management. Other new additions include a revamped Arranger Mode, customizable scales, and a groove engine that lets users create, share, and import grooves. It also supports up to 6 MIDI ports and 96 channels with the optional OXI Split V2 expander. Early impressions suggest a more powerful, more intuitive device that could elevate hybrid setups.
More info
DinSync NC-V8 Acoustic Lathe: Cut Your Own Dubplates at Home
DinSync throws a major curveball at Superbooth this year with the NC-V8 Acoustic Lathe—a surprisingly polished consumer tool for cutting your own vinyl dubplates. Best known for recreating analog classics like the TB-303 and RE-606, DinSync now steps into DIY vinyl production with a gantry-mounted stereo cutting head, designed to sit atop a high-torque turntable. The system can cut stereo or mono grooves using diamond or tungsten styli, with promising fidelity aimed at producers, scratch DJs, and small-scale mastering engineers.
It’s not an all-in-one solution—you’ll need to bring your own amp, EQ, stylus, and blank discs—but the NC-V8 looks like the most serious attempt yet to make home-cut vinyl viable beyond lo-fi novelties like Teenage Engineering’s PO-80. Price and shipping dates are still TBD, but DinSync aims to launch this summer. If the demo video is anything to go by, this could mark the beginning of a new DIY vinyl underground.
More info
Cover credit: Angela Kroell
Disclosure: This post contains affiliate links. If you buy something through these links, I may earn a commission at no extra cost to you. As an Amazon Associate, I earn from qualifying purchases.